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Knights of the Art; stories of the Italian painters by Amy Steedman
page 75 of 216 (34%)

But pictures of saints and angels were somewhat
out of fashion at that time, for people did not care
to be reminded of anything but earthly pleasures.
So Botticelli chose his subjects to please the court,
and for a while ceased to paint his sad-eyed Madonnas.

What mattered to him what his subject was?
Let him but paint his dancing figures, tripping
along in their light flowing garments, keeping time
to the music of his thoughts, and the subject might
be one of the old Greek tales or any other story
that served his purpose.

All the gay court dresses, the rich quaint robes of
the fair ladies, helped to train the young painter's
fancy for flowing draperies and wonderful veils of
filmy transparent gauze.

There was one fair lady especially whom Sandro
loved to paint--the beautiful Simonetta, as she is
still called.

First he painted her as Venus, who was born of
the sea foam. In his picture she floats to the shore
standing in a shell, her golden hair wrapped round
her. The winds behind blow her onward and
scatter pink and red roses through the air. On the
shore stands Spring, who holds out a mantle, flowers
nestling in its folds, ready to enwrap the goddess
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