Knights of the Art; stories of the Italian painters by Amy Steedman
page 99 of 216 (45%)
page 99 of 216 (45%)
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of the Madonna looks down upon the busy street
below, and the Holy Child lifts His little hand in blessing, amid the saints which stand on either side. The glass that covers the picture is thick with dust, and few who pass ever stop to look up. The world is all too busy nowadays. The hurrying feet pass by, the unseeing eyes grow more and more careless. But Filippino's beautiful Madonna looks on with calm, sad eyes, and the Christ Child, surrounded by the cloud of little angel faces, still holds in His uplifted hand a blessing for those who seek it. Like all the great Florentine artists, Filippino, as soon as he grew famous, was invited to Rome, and he painted many pictures there. On his way he stopped for a while at Spoleto, and there he designed a beautiful marble monument for his father's tomb. Unlike that father, Filippino was never fond of travel or adventure, and was always glad to return to Florence and live his quiet life there. Not even an invitation from the King of Hungary could tempt him to leave home. It was in the great church of Santa Maria Novella in Florence that Filippino painted his last frescoes. |
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