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Concerning the Spiritual in Art by Wassily Kandinsky
page 24 of 104 (23%)
sometimes fain lay aside, for it is a bitter cross to bear. But
he cannot do so. Scorned and hated, he drags after him over the
stones the heavy chariot of a divided humanity, ever forwards and
upwards.

Often, many years after his body has vanished from the earth, men
try by every means to recreate this body in marble, iron, bronze,
or stone, on an enormous scale. As if there were any intrinsic
value in the bodily existence of such divine martyrs and servants
of humanity, who despised the flesh and lived only for the
spirit! But at least such setting up of marble is a proof that a
great number of men have reached the point where once the being
they would now honour, stood alone.



II. THE MOVEMENT OF THE TRIANGLE



The life of the spirit may be fairly represented in diagram as a
large acute-angled triangle divided horizontally into unequal
parts with the narrowest segment uppermost. The lower the segment
the greater it is in breadth, depth, and area.

The whole triangle is moving slowly, almost invisibly forwards
and upwards. Where the apex was today the second segment is
tomorrow; what today can be understood only by the apex and to
the rest of the triangle is an incomprehensible gibberish, forms
tomorrow the true thought and feeling of the second segment.
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