Concerning the Spiritual in Art by Wassily Kandinsky
page 29 of 104 (27%)
page 29 of 104 (27%)
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[Footnote: Frequent use is made here of the terms "material" and "non-material," and of the intermediate phrases "more" or "less material." Is everything material? or is EVERYTHING spiritual? Can the distinctions we make between matter and spirit be nothing but relative modifications of one or the other? Thought which, although a product of the spirit, can be defined with positive science, is matter, but of fine and not coarse substance. Is whatever cannot be touched with the hand, spiritual? The discussion lies beyond the scope of this little book; all that matters here is that the boundaries drawn should not be too definite.] If the emotional power of the artist can overwhelm the "how?" and can give free scope to his finer feelings, then art is on the crest of the road by which she will not fail later on to find the "what" she has lost, the "what" which will show the way to the spiritual food of the newly awakened spiritual life. This "what?" will no longer be the material, objective "what" of the former period, but the internal truth of art, the soul without which the body (i.e. the "how") can never be healthy, whether in an individual or in a whole people. THIS "WHAT" IS THE INTERNAL TRUTH WHICH ONLY ART CAN DIVINE, WHICH ONLY ART CAN EXPRESS BY THOSE MEANS OF EXPRESSION WHICH ARE HERS ALONE. III. SPIRITUAL REVOLUTION |
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