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Concerning the Spiritual in Art by Wassily Kandinsky
page 34 of 104 (32%)
before no problem, and who finally cast doubt on that very matter
which was yesterday the foundation of everything, so that the
whole universe is shaken. Every day another scientific theory
finds bold discoverers who overstep the boundaries of prophecy
and, forgetful of themselves, join the other soldiers in the
conquest of some new summit and in the hopeless attack on some
stubborn fortress. But "there is no fortress that man cannot
overcome."

On the one hand, FACTS are being established which the science of
yesterday dubbed swindles. Even newspapers, which are for the
most part the most obsequious servants of worldly success and of
the mob, and which trim their sails to every wind, find
themselves compelled to modify their ironical judgements on the
"marvels" of science and even to abandon them altogether. Various
learned men, among them ultra-materialists, dedicate their
strength to the scientific research of doubtful problems, which
can no longer be lied about or passed over in silence. [Footnote:
Zoller, Wagner, Butleroff (St. Petersburg), Crookes (London),
etc.; later on, C. H. Richet, C. Flammarion. The Parisian paper
Le Matin, published about two years ago the discoveries of the
two last named under the title "Je le constate, mais je ne
l'explique pas." Finally there are C. Lombroso, the inventor of
the anthropological method of diagnosing crime, and Eusapio
Palladino.]

On the other hand, the number is increasing of those men who put
no trust in the methods of materialistic science when it deals
with those questions which have to do with "non-matter," or
matter which is not accessible to our minds. Just as art is
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