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Concerning the Spiritual in Art by Wassily Kandinsky
page 46 of 104 (44%)
reproduction of natural forms and phenomena. Her business is now
to test her strength and methods, to know herself as music has
done for a long time, and then to use her powers to a truly
artistic end.

And so the arts are encroaching one upon another, and from a
proper use of this encroachment will rise the art that is truly
monumental. Every man who steeps himself in the spiritual
possibilities of his art is a valuable helper in the building of
the spiritual pyramid which will some day reach to heaven.



PART II: ABOUT PAINTING



V. THE PSYCHOLOGICAL WORKING OF COLOUR



To let the eye stray over a palette, splashed with many colours,
produces a dual result. In the first place one receives a PURELY
PHYSICAL IMPRESSION, one of pleasure and contentment at the
varied and beautiful colours. The eye is either warmed or else
soothed and cooled. But these physical sensations can only be of
short duration. They are merely superficial and leave no lasting
impression, for the soul is unaffected. But although the effect
of the colours is forgotten when the eye is turned away, the
superficial impression of varied colour may be the starting point
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