A Footnote to History - Eight Years of Trouble in Samoa by Robert Louis Stevenson
page 35 of 181 (19%)
page 35 of 181 (19%)
![]() | ![]() |
|
footing in the family of nations, and send embassies, and make believe to
have a navy, and bark and snap at the heels of the great German Empire. But Becker could not prevent the hunted Laupepa from taking refuge in any hole that offered, and he could afford to smile at the fantastic orgie in the embassy. It was another matter when the Hawaiians approached the intractable Mataafa, sitting still in his Atua government like Achilles in his tent, helping neither side, and (as the Germans suspected) keeping the eggs warm for himself. When the _Kaimiloa_ steamed out of Apia on this visit, the German war-ship _Adler_ followed at her heels; and Mataafa was no sooner set down with the embassy than he was summoned and ordered on board by two German officers. The step is one of those triumphs of temper which can only be admired. Mataafa is entertaining the plenipotentiary of a sovereign power in treaty with his own king, and the captain of a German corvette orders him to quit his guests. But there was worse to come. I gather that Tamasese was at the time in the sulks. He had doubtless been promised prompt aid and a prompt success; he had seen himself surreptitiously helped, privately ordered about, and publicly disowned; and he was still the king of nothing more than his own province, and already the second in command of Captain Brandeis. With the adhesion of some part of his native cabinet, and behind the back of his white minister, he found means to communicate with the Hawaiians. A passage on the _Kaimiloa_, a pension, and a home in Honolulu were the bribes proposed; and he seems to have been tempted. A day was set for a secret interview. Poor, the Hawaiian secretary, and J. D. Strong, an American painter attached to the embassy in the surprising quality of "Government Artist," landed with a Samoan boat's-crew in Aana; and while the secretary hid himself, according to agreement, in the outlying home of an English settler, the artist (ostensibly bent on photography) entered the headquarters of the rebel king. It was a great |
|