these which lend to them the reality they bear. Certain it is, when
reading them, I live his life over again.

Needless to say, Mr. Richard Carvel never intended them for publication.
His first apology would be for his Scotch, and his only defence is that
he was not a Scotchman.

The lively capital which once reflected the wit and fashion of Europe has
fallen into decay. The silent streets no more echo with the rumble of
coaches and gay chariots, and grass grows where busy merchants trod.
Stately ball-rooms, where beauty once reigned, are cold and empty and
mildewed, and halls, where laughter rang, are silent. Time was when
every wide-throated chimney poured forth its cloud of smoke, when every
andiron held a generous log,--andirons which are now gone to decorate Mr.
Centennial's home in New York or lie with a tag in the window of some
curio shop. The mantel, carved in delicate wreaths, is boarded up, and
an unsightly stove mocks the gilded ceiling. Children romp in that room
with the silver door-knobs, where my master and his lady were wont to sit
at cards in silk and brocade, while liveried blacks entered on tiptoe.
No marble Cupids or tall Dianas fill the niches in the staircase, and the
mahogany board, round which has been gathered many a famous toast and
wit, is gone from the dining room.

But Mr. Carvel's town house in Annapolis stands to-day, with its
neighbours, a mournful relic of a glory that is past.

DANIEL CLAPSADDLE CARVEL.

CALVERT HOUSE, PENNSYLVANIA,
December 21, 1876.