night" to her out of the darkness. He did not even wait to assist her in
the process of locking up. Honora, profoundly puzzled, stood for a while
in the doorway gazing out into the night. When at length she turned, she
had forgotten him entirely.

It was true that she did not sleep for hours, and on awaking the next
morning another phenomenon awaited her. The "little house under the hill"
was immeasurably shrunken. Poor Aunt Mary, who did not understand that a
performance of "Pinafore" could give birth to the unfulfilled longings
which result in the creation of high things, spoke to Uncle Tom a week
later concerning an astonishing and apparently abnormal access of
industry.

"She's been reading all day long, Tom, or else shut up in her room, where
Catherine tells me she is writing. I'm afraid Eleanor Hanbury is right
when she says I don't understand the child. And yet she is the same to me
as though she were my own."

It was true that Honora was writing, and that the door was shut, and that
she did not feel the heat. In one of the bookcases she had chanced upon
that immortal biography of Dr. Johnson, and upon the letters of another
prodigy of her own sex, Madame d'Arblay, whose romantic debut as an
authoress was inspiration in itself. Honora actually quivered when she
read of Dr. Johnson's first conversation with Miss Burney. To write a
book of the existence of which even one's own family did not know, to
publish it under a nom de plume, and to awake one day to fetes and fame
would be indeed to live!

Unfortunately Honora's novel no longer exists, or the world might have
discovered a second Evelina. A regard for truth compels the statement