kind of purgatory, not solely a place of departed spirits, but of those
which have not yet arrived; as one of the many temporary abodes of the
Great Unattached.

No philosophical writer has as yet made the attempt to define the change
--as profound as that of the tadpole to the frog--between the lover and
the husband. An author of ideals would not dare to proclaim that this
change is inevitable: some husbands--and some wives are fortunate enough
to escape it, but it is not unlikely to happen in our modern
civilization. Just when it occurred in Howard Spence it is difficult to
say, but we have got to consider him henceforth as a husband; one who
regards his home as a shipyard rather than the sanctuary of a goddess; as
a launching place, the ways of which are carefully greased, that he may
slide off to business every morning with as little friction as possible,
and return at night to rest undisturbed in a comfortable berth, to ponder
over the combat of the morrow.

It would be inspiring to summon the vision of Honora, in rustling
garments, poised as the figurehead of this craft, beckoning him on to
battle and victory. Alas! the launching happened at that grimmest and
most unromantic of hours-ten minutes of eight in the morning. There was a
period, indeterminate, when she poured out his coffee with wifely zeal; a
second period when she appeared at the foot of the stairs to kiss him as
he was going out of the door; a third when, clad in an attractive
dressing-gown, she waved him good-by from the window; and lastly, a
fourth, which was only marked by an occasional protest on his part, when
the coffee was weak.

"I'd gladly come down, Howard, if it seemed to make the least difference
to you," said Honora. "But all you do is to sit with your newspaper