The Rubaiyat of Omar Khayyam Jr. by Wallace Irwin
page 48 of 50 (96%)
page 48 of 50 (96%)
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XXVII - Attar-Musk; attar is the Persian word for druggist, but we
hesitate to believe that the poet would attribute an artificial perfume to the rose. XXXV - Myself when young; this stanza is supposed to be biographical in its intent. It is known that before the anti-Omaric uprising in Naishapur, and even during his errant tour through Persia, the younger Omar was socially lionized,, becoming much sought after. It may seem improbable that Omar, Jr., as a member of the sterner sex, should have been admitted as a regular frequenter of women's clubs, but it must be remembered that then, even as in our own day, men were eagerly prized as lecturers on subjects of interest to women. Omar, Jr., appeared for several seasons before the women's clubs of Naishapur, giving recitations and readings from his father's works. XXXVI - Ibsen - Boccacio; for a Persian poet of so remote a date, Omar Khayyam, Jr., showed a remarkable knowledge of modern as well as mediaeval literature. LVII - That Great Menagerie; another reference to his experience as a social lion is found here, as in the three rubaiyat following. The gabble garbled garrulousness (the familiar "gobble, gabble and git, crystallized into the higher form of expression) indicates that the narcotic effect of tea on womankind was much the same in Omar's time as in ours. LXI - Leave to me the Tenth; the discovery of a tenth Muse puts the younger Omar on an equal footing with his father in science as well as in poetry. The editor has found that upon quitting forever his native Persia, Omar Khayyam, Jr., brought to Borneo many of the more refined |
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