gross opinions of the vulgar usually conciliates, together with
that which belonged to them in their higher character of poets,
any excess will remain.

We have thus circumscribed the word poetry within the limits of that
art which is the most familiar and the most perfect expression of
the faculty itself. It is necessary, however, to make the circle
still narrower, and to determine the distinction between measured
and unmeasured language; for the popular division into prose and
verse is inadmissible in accurate philosophy.

Sounds as well as thoughts have relation both between each other
and towards that which they represent, and a perception of the order
of those relations has always been found connected with a perception
of the order of the relations of thoughts. Hence the language of
poets has ever affected a certain uniform and harmonious recurrence
of sound, without which it were not poetry, and which is scarcely
less indispensable to the communication of its influence, than the
words themselves, without reference to that peculiar order. Hence
the vanity of translation; it were as wise to cast a violet into a
crucible that you might discover the formal principle of its colour
and odour, as seek to transfuse from one language into another the
creations of a poet. The plant must spring again from its seed,
or it will bear no flower--and this is the burthen of the curse of
Babel.

An observation of the regular mode of the recurrence of harmony
in the language of poetical minds, together with its relation to
music, produced metre, or a certain system of traditional forms of
harmony and language. Yet it is by no means essential that a poet