blood of this fierce chaos! how the world, as from a resurrection,
balancing itself on the golden wings of knowledge and of hope, has
reassumed its yet unwearied flight into the heaven of time. Listen
to the music, unheard by outward ears, which is as a ceaseless and
invisible wind, nourishing its everlasting course with strength
and swiftness.

The poetry in the doctrines of Jesus Christ, and the mythology and
institutions of the Celtic conquerors of the Roman empire, outlived
the darkness and the convulsions connected with their growth and
victory, and blended themselves in a new fabric of manners and
opinion. It is an error to impute the ignorance of the dark ages to
the Christian doctrines or the predominance of the Celtic nations.
Whatever of evil their agencies may have contained sprang from the
extinction of the poetical principle, connected with the progress
of despotism and superstition. Men, from causes too intricate to be
here discussed, had become insensible and selfish: their own will
had become feeble, and yet they were its slaves, and thence the
slaves of the will of others: lust, fear, avarice, cruelty, and
fraud, characterized a race amongst whom no one was to be found
capable of CREATING in form, language, or institution. The moral
anomalies of such a state of society are not justly to be charged
upon any class of events immediately connected with them, and those
events are most entitled to our approbation which could dissolve
it most expeditiously. It is unfortunate for those who cannot
distinguish words from thoughts, that many of these anomalies have
been incorporated into our popular religion.

It was not until the eleventh century that the effects of the
poetry of the Christian and chivalric systems began to manifest