enthusiasms he answered, "Well, ye-es, might be worth thinking about.
Remember where I put my pipe?" When she pressed him he fidgeted, "I
don't know; seems to me those kind of houses you speak of have been
overdone."

It proved that what he wanted was a house exactly like Sam Clark's,
which was exactly like every third new house in every town in the
country: a square, yellow stolidity with immaculate clapboards, a broad
screened porch, tidy grass-plots, and concrete walks; a house resembling
the mind of a merchant who votes the party ticket straight and goes to
church once a month and owns a good car.

He admitted, "Well, yes, maybe it isn't so darn artistic but----Matter
of fact, though, I don't want a place just like Sam's. Maybe I would cut
off that fool tower he's got, and I think probably it would look better
painted a nice cream color. That yellow on Sam's house is too kind
of flashy. Then there's another kind of house that's mighty nice and
substantial-looking, with shingles, in a nice brown stain, instead of
clapboards--seen some in Minneapolis. You're way off your base when you
say I only like one kind of house!"

Uncle Whittier and Aunt Bessie came in one evening when Carol was
sleepily advocating a rose-garden cottage.

"You've had a lot of experience with housekeeping, aunty, and don't you
think," Kennicott appealed, "that it would be sensible to have a nice
square house, and pay more attention to getting a crackajack furnace
than to all this architecture and doodads?"

Aunt Bessie worked her lips as though they were an elastic band. "Why