have seen her and her lovely grandchild, and heard your favorite melodies
sung by her well-practised choir of slave-girls, I think you will thank
me for having brought you hither."--"Yet," answered the Spartan gravely,
"I should not have accompanied you, if I had not hoped to meet Phryxus,
the Delphian, here."

"You will find him here; and besides, I cannot but hope that the songs
will cheer you, and dispel your gloomy thoughts." Aristomachus shook his
head in denial, and answered: "To you, sanguine Athenians, the melodies
of your country may be cheering: but not so to me; as in many a sleepless
night of dreams, my longings will be doubled, not stilled by the songs of
Alkman."

[Alkman (Attic, Alkmaeon) flourished in Sparta about 650 B. C. His
mother was a Lydian slave in Sardes, and he came into the possession
of Agesides, who gave him his freedom. His beautiful songs soon
procured him the rights of a Lacedaemonian citizen. He was
appointed to the head-directorship in the entire department of music
in Lacedaemon and succeeded in naturalizing the soft Lydian music.
His language was the Doric-Laconian. After a life devoted to song,
the pleasures of the table and of love, he is said to have died of
a fearful disease. From the frequent chorusses of virgins
(Parthenien) said to have been originally introduced by him, his
frequent songs in praise of women, and the friendly relations in
which he stood to the Spartan women (more especially to the fair
Megalostrata), he gained the name of the woman's poet.]

"Do you think then," replied Phanes, "that I have no longing for my
beloved Athens, for the scenes of our youthful games, for the busy life
of the market? Truly, the bread of exile is not less distasteful to my