and stunted; under Seti I. beauty of proportion reached its highest
point. During, and after the 20th dynasty, the style declined in
beauty; in the 26th, under the descendants of Psammetichus, we meet
with a last revival of art, but the ancient purity of form was never
again attained.]

"And shall you win your wager?"

"Undoubtedly. I am just going to begin this trick of art; it will as
little deserve the name of a work of art, as any Egyptian statue."

"And yet there are single sculptures here which are of exquisite
workmanship; such, for instance, as the one Amasis sent to Samos as a
present to Polykrates. In Memphis I saw a statue said to be about three
thousand years old, and to represent a king who built the great Pyramid,
which excited my admiration in every respect. With what certainty and
precision that unusually hard stone has been wrought! the muscles, how
carefully carved! especially in the breast, legs and feet; the harmony of
the features too, and, above all, the polish of the whole, leave nothing
to be desired."

"Unquestionably. In all the mechanism of art, such as precision and
certainty in working even the hardest materials, the Egyptians, though
they have so long stood still in other points, are still far before us;
but to model form with freedom, to breathe, like Prometheus, a soul into
the stone, they will never learn until their old notions on this subject
have been entirely abandoned. Even the pleasing varieties of corporeal
life cannot be represented by a system of mere proportions, much less
those which are inner and spiritual. Look at the countless statues which
have been erected during the last three thousand years, in all the