assuming the part, for the demi-god who strangled the snakes was lacking
in the most important point, and it was not without due consideration
that Lysippus represented him with a small head on his mighty body; but I
shall not have to say anything."

"If I play Omphale will you sit at my feet?" asked Cleopatra.

"Who would not be willing to sit at those feet?" answered Euergetes.
"Let us at once make further choice among the abundance of subjects
offered to us, but, like Lysias, I would warn you against those that are
too well-known."

"There are no doubt things commonplace to the eye as well as to the ear,"
said Cleopatra. "But what is recognized as good is commonly regarded as
most beautiful."

"Permit me," said Lysias, "to direct your attention to a piece of
sculpture in marble of the noblest workmanship, which is both old and
beautiful, and yet which may be known to few among you. It exists on the
cistern of my father's house at Corinth, and was executed many centuries
since by a great artist of the Peloponnesus. Publius was delighted with
the work, and it is in fact beautiful beyond description. It is an
exquisite representation of the marriage of Heracles and Hebe--of the
hero, raised to divinity, with sempiternal youth. Will Your Majesty
allow yourself to be led by Pallas Athene and your mother Alcmene to your
nuptials with Hebe?"

"Why not?" said Euergetes. "Only the Hebe must be beautiful. But one
thing must be considered; how are we to get the cistern from your
father's house at Corinth to this place by to-morrow or next day? Such a