personage than Apollo himself, singing the praises of Hymenaeus to a
lute. With him walks his sister Artemis and behind them the mother of
Hebe, accompanied by Hermes, the messenger of the gods, as the envoy of
Zeus. Then follows the principal group, which is one of the most lovely
works of Greek art that I am acquainted with. Hebe comes forward to meet
her bridegroom, gently led on by Aphrodite, the queen of love. Peitho,
the goddess of persuasion, lays her hand on the bride's arm,
imperceptibly urging her forward and turning away her face; for what she
had to say has been said, and she smiles to herself, for Hebe has not
turned a deaf ear to her voice, and he who has once listened to Peitho
must do what she desires."

"And Hebe?" asked Cleopatra.

"She casts down her eyes, but lifts up the arm on which the hand of
Peitho rests with a warning movement of her fingers, in which she holds
an unopened rose, as though she would say; 'Ah! let me be--I tremble at
the man'--or ask: 'Would it not be better that I should remain as I am
and not yield to your temptations and to Aphrodite's power?' Oh! Hebe is
exquisite, and you, O Queen! must represent her!"

"I!" exclaimed Cleopatra. "But you said her eyes were cast down."

"That is from modesty and timidity, and her gait must also be bashful and
maidenly. Her long robe falls to her feet in simple folds, while Peitho
holds hers up saucily, between her forefinger and thumb, as if stealthily
dancing with triumph over her recent victory. Indeed the figure of
Peitho would become you admirably."

"I think I will represent Peitho," said the queen interrupting the