it. He deemed that the drinking-cup afforded the strongest proof of the
magic art, far transcending human ability, of the great goddess by whose
aid King Nektanebus--who, according to tradition, was the father of
Alexander the Great--was said to have made the vessel in the Isis island
of Philoe.

Anubis had intended to remind Cleopatra of his refusal, and show her the
great danger incurred by mortals who strove to use powers beyond their
sphere. It had been his purpose to bid her remember Phaeton, who had
almost kindled a conflagration in the world, when he attempted, in the
chariot of his father, Phoebus Apollo, to guide the horses of the sun.
But this was unnecessary, for he had scarcely assented to the question
ere, with passionate vehemence, she ordered him to destroy before her
eyes the cup which had brought so much misfortune.

The priest feigned that her desire harmonized with a resolution which he
had himself formed. In fact, before her arrival, he had feared that the
goblet might be used in some fatal manner if Octavianus should take
possession of the city and country, and the wonder-working vessel should
fall into his hands. Nektanebus had made the cup for Egypt. To wrest it
from the foreign ruler was acting in the spirit of the last king in whose
veins had flowed the blood of the Pharaohs, and who had toiled with
enthusiastic devotion for the independence and liberty of his people.
To destroy this man's marvellous work rather than deliver it to the Roman
conqueror seemed to the chief priest, after the Queen's command, a sacred
duty, and as such he represented it to be when he commanded the smelting
furnace to be fired and the cup transformed into a shapeless mass before
the eyes of Cleopatra.

While the metal was melting he eagerly told the Queen how easily she