Soon Philetoerus, who had founded the Pergamenian kingdom seven years
before, and governed it with great wisdom, came to Myrtilus.

Like his nephew and heir Eumenes, he was a friend to art, and induced the
laurel-crowned Alexandrian to execute the relief, modelled in clay, in
marble for the Temple of Dionysus at Pergamus.

The heir to the throne of Philetaerus, who was now advancing in years,
was especially friendly to Myrtilus, and did everything in his power to
bind him to Pergamus.

He succeeded, for in the beautiful house, located in an extremely
healthful site, which Eumenes had assigned for a residence and studio to
the Alexandrian artist, whose work he most ardently admired, and whom he
regarded as the most welcome of guests, Myrtilus felt better physically
than he had for years. Besides, he thought that, for many reasons, his
friend would be less willing to settle in Alexandria, and that the
presence of his uncle and Daphne would attract him to Pergamus.

Moreover, Hermon surely knew that if he came to him as a blind man he
would find a brother; if he came restored to sight, he would also find a
brother, and likewise a fellow-artist with whom he could live and work.

Myrtilus had told the heir to the throne of Pergamus of his richly gifted
blind relative, and of the peculiarity of his art, and Eumenes eagerly
endeavoured to induce his beloved guest to persuade his friend to remove
to his capital, where there was no lack of distinguished leeches.

If Hermon remained blind, he would honour him; if he recovered his sight,