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The Bride of the Nile — Volume 12 by Georg Ebers
page 51 of 74 (68%)
as if it were escorting a hapless creature to a fearful end. Blast after
blast rang out from the trumpets, filling the air with festive defiance;
cheerful bridal songs came nearer and nearer to the listeners, the shrill
chorus of boys and maidens sounding above the deeper and stronger chant
of youths and men of all ages; flutes piped a gay invitation to gladness;
the dull roar of drums muttered like the distant waves in time to a
march, broken by the clang of cymbals and the tinkle of bells hung around
tambourines held high by girlish hands which struck, rattled and waved
them above their flowing curls; lute players discoursed sweet music on
the strings; and as this vast tide of mingled tones came closer, behind
it there was still more music and more song.

To the ear the procession seemed endless, and the eye soon confirmed the
impression.

All were listening, gazing, watching to see the Bride and her escort.
Every eye seemed compelled to turn in the same direction; and presently
there came: first the trumpeters on spirited horses, and these ranged
themselves on each side of the road by the shore leading to the scene of
the "marriage." In front of them the choir of women took their stand to
the left and, on the right, the men who had marched after them. All
alike were arrayed in light sea-green garments, and loaded with lotos-
flowers. The women's hair, twined with white blossoms, flowed over their
shoulders; the men carried bunches of papyrus and reeds;--they
represented river gods that had risen from the stream.

Then came boys and bearded men, in white robes, with panther-skins on
their shoulders, as the heathen priests had been wont to wear them. They
were headed by two old men with long white beards, one holding a silver
cup and the other a golden one, ready to fling them into the waves as a
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