simplicity of the rest of the building. Its showy splendour, visible for
a long distance, occupied the wide space between the door of the house
and the windows of the upper story. The escutcheon of the noble family
from which Rosalinde, Herr Casper's wife, had descended rested against
the shield bearing the birds. The Rotterbach supporters, a nude man and
a bear standing on its hind legs, rose on both sides of the double
escutcheon, and the stone cutter had surmounted the Eysvogel helmet with
a count's coronet.

This elaborate decoration of the ancient patrician house had become
one of the sights of the city, and had often made Herr Casper, at the
Honourable Council and elsewhere, clench his fist under his mantle, for
it had drawn open censure and bitter mockery upon the arrogant man, but
his desire to have it replaced by a more modest one had been baffled by
the opposition of the women of his family. They had had it put up, and
would not permit any one to touch it, though Wolff, after his return from
Italy, had strenuously urged its removal.

It had brought the Eysvogels no good fortune, for on the day of its
completion the business received its first serious blow, and it also
served to injure the commercial house externally in a very obvious
manner. Whereas formerly many wares which needed to be kept dry had been
hoisted from the outer door and the street to the spacious attic, this
was now prevented by the projecting figures of the nude men and the
bears. Therefore it became necessary to hoist the goods to be stored in
the attic from the courtyard, which caused delay and hindrances of many
kinds. Various expedients had been suggested, but the women opposed them
all, for they were glad that the ugly casks and bales no longer found
their way to the garret past their windows, and it also gratified their
arrogance that they were no longer visible from the street.