resemblance to a maiden giving herself up to tender emotions.

Now the door of the reddish house opened, and, rising hastily, she looked
toward it. A slave came cautiously out, bearing a large jar with
handles, made of brown clay, adorned with black figures.

What had the high-shouldered graybeard done, that she stamped her foot so
angrily on the ground, and buried the upper row of her snow-white teeth
deep in her under-lip, as if stifling some pang?

No one is less welcome than the unbidden intruder, who meets us in the
place of some one for whom we ardently long, and Xanthe did not wish to
see the slave, but Phaon, his master's son.

She had nothing to say to the youth; she would have rushed away if he had
ventured to seek her by the spring, but she wanted to see him, wanted to
learn whether Semestre had told the truth, when she said Phaon intended
to marry a wealthy heiress, whose hand his father was seeking in Messina.
The house-keeper had declared the night before that he only wooed the
ugly creature for the sake of her money, and now took advantage of his
father's absence to steal out of the house evening after evening, as soon
as the fire was lighted on the hearth. And the fine night-bird did not
return till long past sunrise, no doubt from mad revels with that crazy
Hermias and other wild fellows from Syracuse. They probably understood
how to loosen his slow tongue.

Then the old woman described what occurred at such banquets, and when she
mentioned the painted flute-players, with whom the dissipated city youths
squandered their fathers' money, and the old house-keeper called
attention to the fact that Phaon already wandered about as stupidly and