Palaces and Courts of the Exposition by Juliet Helena Lumbard James
page 61 of 117 (52%)
page 61 of 117 (52%)
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The Court of the Ages and not The Court of Abundance Architect - Louis Christian Mullgardt of San Francisco. Architecture - If one could call this beautiful architecture by name one might say Spanish Gothic, on account of the round-arched Gothic and also the Spanish finials used, but it is so thoroughly original that this is hardly the term to use. It is Romanesque in its vaulting of the corridor, and at first glance in its great square tower, and arches, and yet not Romanesque architecture. It is suggestive of the last period of English Gothic in its rich parallelism of vertical line - and yet is not that. It is suggestive of the flamboyant decoration of the French architecture such as one sees and feels at Rouen Cathedral - and yet, not that, for on looking closer one sees not wavy line suggesting flame, but the wave of the kelp of the sea - and then one realizes that the vertical lines represent falling water. The kelp is turned, looped and suspended with all sorts of lobsters, crabs, sea-turtles, octopi, flounders, etc., wriggling thru it, not seen at first, then in strong evidence, making you wonder why you had not seen them before. The whole cloister represents the magical power of water and fire worked |
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