Thoughts out of Season Part I by Friedrich Wilhelm Nietzsche
page 78 of 189 (41%)
page 78 of 189 (41%)
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thoroughly this spirit must appeal to that other! for it is precisely
in those quarters that culture is in the saddest plight; it is precisely there that its fresh growth is made impossible--so boisterous are the preparations made by science, so sheepishly are favourite subjects of knowledge allowed to oust questions of much greater import. What kind of lantern would be needed here, in order to find men capable of a complete surrender to genius, and of an intimate knowledge of its depths--men possessed of sufficient courage and strength to exorcise the demons that have forsaken our age? Viewed from the outside, such quarters certainly do appear to possess the whole pomp of culture; with their imposing apparatus they resemble great arsenals fitted with huge guns and other machinery of war; we see preparations in progress and the most strenuous activity, as though the heavens themselves were to be stormed, and truth were to be drawn out of the deepest of all wells; and yet, in war, the largest machines are the most unwieldy. Genuine culture therefore leaves such places as these religiously alone, for its best instincts warn it that in their midst it has nothing to hope for, and very much to fear. For the only kind of culture with which the inflamed eye and obtuse brain of the scholar working-classes concern themselves is of that Philistine order of which Strauss has announced the gospel. If we consider for a moment the fundamental causes underlying the sympathy which binds the learned working-classes to Culture-Philistinism, we shall discover the road leading to Strauss the Writer, who has been acknowledged classical, and tihence to our last and principal theme. To begin with, that culture has contentment written in its every feature, and will allow of no important changes being introduced into the present state of German education. It is above all convinced of the originality of all German educational institutions, more |
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