much critical attention that its re-publication was soon undertaken by a
regular house.

Had Bierce never produced anything but these prose tales, his right to a
place high in American letters would nevertheless be secure, and of all
his work, serious or otherwise, here is his greatest claim to popular
and permanent recognition. No stories for which the Civil War has
furnished such dramatic setting surpass these masterpieces of short
fiction, either in power of description, subtlety of touch or literary
finish. It is deeply to be regretted that he has not given us more such
prose.

W. C. Morrow.



A Son of the Gods



A breezy day and a sunny landscape. An open country to right and left
and forward; behind, a wood. In the edge of this wood, facing the open
but not venturing into it, long lines of troops halted. The wood is
alive with them, and full of confused noises: the occasional rattle of
wheels as a battery of artillery goes into position to cover the
advance; the hum and murmur of the soldiers talking; a sound of
innumerable feet in the dry leaves that strew the interspaces among the
trees; hoarse commands of officers. Detached groups of horsemen are well
in front - not altogether exposed - many of them intently regarding the
crest of a hill a mile away in the direction of the interrupted advance.