We hired a sailboat and a guide and made an excursion to one of the small
islands in the harbor to visit the Castle d'If. This ancient fortress
has a melancholy history. It has been used as a prison for political
offenders for two or three hundred years, and its dungeon walls are
scarred with the rudely carved names of many and many a captive who
fretted his life away here and left no record of himself but these sad
epitaphs wrought with his own hands. How thick the names were! And
their long-departed owners seemed to throng the gloomy cells and
corridors with their phantom shapes. We loitered through dungeon after
dungeon, away down into the living rock below the level of the sea, it
seemed. Names everywhere!--some plebeian, some noble, some even
princely. Plebeian, prince, and noble had one solicitude in common--they
would not be forgotten! They could suffer solitude, inactivity, and the
horrors of a silence that no sound ever disturbed, but they could not
bear the thought of being utterly forgotten by the world. Hence the
carved names. In one cell, where a little light penetrated, a man had
lived twenty-seven years without seeing the face of a human being--lived
in filth and wretchedness, with no companionship but his own thoughts,
and they were sorrowful enough and hopeless enough, no doubt. Whatever
his jailers considered that he needed was conveyed to his cell by night
through a wicket.

This man carved the walls of his prison house from floor to roof with all
manner of figures of men and animals grouped in intricate designs. He
had toiled there year after year, at his self-appointed task, while
infants grew to boyhood--to vigorous youth--idled through school and
college--acquired a profession--claimed man's mature estate--married and
looked back to infancy as to a thing of some vague, ancient time, almost.
But who shall tell how many ages it seemed to this prisoner? With the
one, time flew sometimes; with the other, never--it crawled always. To