picturesque horrors of the Capuchin Convent. We stopped a moment in a
small chapel in the church to admire a picture of St. Michael vanquishing
Satan--a picture which is so beautiful that I can not but think it
belongs to the reviled "Renaissance," notwithstanding I believe they told
us one of the ancient old masters painted it--and then we descended into
the vast vault underneath.

Here was a spectacle for sensitive nerves! Evidently the old masters had
been at work in this place. There were six divisions in the apartment,
and each division was ornamented with a style of decoration peculiar to
itself--and these decorations were in every instance formed of human
bones! There were shapely arches, built wholly of thigh bones; there
were startling pyramids, built wholly of grinning skulls; there were
quaint architectural structures of various kinds, built of shin bones and
the bones of the arm; on the wall were elaborate frescoes, whose curving
vines were made of knotted human vertebrae; whose delicate tendrils were
made of sinews and tendons; whose flowers were formed of knee-caps and
toe-nails. Every lasting portion of the human frame was represented in
these intricate designs (they were by Michael Angelo, I think,) and there
was a careful finish about the work, and an attention to details that
betrayed the artist's love of his labors as well as his schooled ability.
I asked the good-natured monk who accompanied us, who did this? And he
said, "We did it"--meaning himself and his brethren up stairs. I could
see that the old friar took a high pride in his curious show. We made
him talkative by exhibiting an interest we never betrayed to guides.

"Who were these people?"

"We--up stairs--Monks of the Capuchin order--my brethren."