hour long, and one I had not heard of before, with a very pretty girl,
and we talked incessantly, and laughed exhaustingly, and neither one ever
knew what the other was driving at. But it was splendid. There were
twenty people in the set, and the dance was very lively and complicated.
It was complicated enough without me--with me it was more so. I threw in
a figure now and then that surprised those Russians. But I have never
ceased to think of that girl. I have written to her, but I can not
direct the epistle because her name is one of those nine-jointed Russian
affairs, and there are not letters enough in our alphabet to hold out.
I am not reckless enough to try to pronounce it when I am awake, but I
make a stagger at it in my dreams, and get up with the lockjaw in the
morning. I am fading. I do not take my meals now, with any sort of
regularity. Her dear name haunts me still in my dreams. It is awful on
teeth. It never comes out of my mouth but it fetches an old snag along
with it. And then the lockjaw closes down and nips off a couple of the
last syllables--but they taste good.

Coming through the Dardanelles, we saw camel trains on shore with the
glasses, but we were never close to one till we got to Smyrna. These
camels are very much larger than the scrawny specimens one sees in the
menagerie. They stride along these streets, in single file, a dozen in a
train, with heavy loads on their backs, and a fancy-looking negro in
Turkish costume, or an Arab, preceding them on a little donkey and
completely overshadowed and rendered insignificant by the huge beasts.
To see a camel train laden with the spices of Arabia and the rare fabrics
of Persia come marching through the narrow alleys of the bazaar, among
porters with their burdens, money-changers, lamp-merchants, Al-naschars
in the glassware business, portly cross-legged Turks smoking the famous
narghili; and the crowds drifting to and fro in the fanciful costumes of
the East, is a genuine revelation of the Orient. The picture lacks