of gigantic trees or tree ferns, that grew millions of years ago,
most of them uncovered, but many of them protruding from banks of
clay and gravel, and in their interiors rich in all the colors of
the rainbow, and you wonder if you may not now be gazing upon some
petrified antediluvian city of temples and holy places exhumed by
mysterious hands and opened up to the vulgar gaze of to-day. You
look into it from above and from another world and you descend into
it at your peril. Yosemite you enter as into a gigantic hall and
make your own; the canon you gaze down upon, and are an alien,
whether you enter it or not. Yosemite is carved out of the most
majestic and enduring of all rocks, granite; the Grand Canon is
carved out of one of the most beautiful, but perishable, red
Carboniferous sandstone and limestone. There is a maze of beautiful
and intricate lines in the latter, a wilderness of temple-like forms
and monumental remains, and noble architectural profiles that
delight while they bewilder the eye. Yosemite has much greater
simplicity, and is much nearer the classic standard of beauty. Its
grand and austere features predominate, of course, but underneath
these and adorning them are many touches of the idyllic and the
picturesque. Its many waterfalls fluttering like white lace against
its vertical granite walls, its smooth, level floor, its noble pines
and oaks, its open glades, its sheltering groves, its bright, clear,
winding river, its soft voice of many waters, its flowers, its
birds, its grass, its verdure, even its orchards of blooming apple
trees, all inclosed in this tremendous granite frame--what an
unforgettable picture it all makes, what a blending of the sublime
and the homelike and familiar it all is! It is the waterfalls that
make the granite alive, and bursting into bloom as it were. What a
touch they give! how they enliven the scene! What music they evoke
from these harps of stone!