Sculpture of the Exposition Palaces and Courts by Juliet Helena Lumbard James
page 13 of 53 (24%)
page 13 of 53 (24%)
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the new light that has been shed upon San Francisco by the Exposition of
nineteen hundred and fifteen, as well as the new light occasioned by the opening of the Panama Canal. Descending Night Adolph Alexander Weinman, Sculptor The figure on the page opposite is a beautiful lyric poem. She might be called "A Hymn to the Night." Every line of her figure is musical, every move suggested, rhythmical. Seen at night, she croons you a slumber song. How subtly Mr. Weinman has told you that she comes to fold the world within her wings - to create thru her desire a "still and pulseless world." The muscles are all lax - the head is drooping, the arms are closing in around the face, the wings are folding, the knees are bending - and she too will soon sink to slumber with the world in her arms. What a fine contrast of feeling between the tense young "Sun" and relaxed "Descending Night." Winter Furio Piccirilli, Sculptor |
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