Sculpture of the Exposition Palaces and Courts by Juliet Helena Lumbard James
page 17 of 53 (32%)
page 17 of 53 (32%)
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One of the finest equestrians at the Exposition is Cortez by Charles
Niehaus. As we look upon the rider on his sumptuously caparisoned horse we are convinced that he is every inch a conqueror. He is represented absolutely motionless - his feet in the stirrups - and yet you feel that he is a man of tremendous action. You also feel his fine reserve, and yet how spirited he is! This is that intrepid spirit that desired the land of the Montezumas. After determined invasions he conquered the country in the early part of the sixteenth century. The End of the Trail By James Earle Fraser, Sculptor "The trail is lost, the path is hid, and winds that blow from out the ages sweep me on to that chill borderland where Time's spent sands engulf lost peoples and lost trails." - Marion Manville Pope. One of the strongest works of the Exposition in its intense pathos is this conception of the end of the Indian race. Over the country the Indian has ridden for many a weary day, following the long trail that leads across a continent. A blizzard is on. He has peered to right and left, but alas! the trail is gone and only despair is his. So has it been with the Indian. His trail is now lost and on the edge of the continent he finds himself almost annihilated. |
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