Bergson and His Philosophy by John Alexander Gunn
page 34 of 216 (15%)
page 34 of 216 (15%)
![]() | ![]() |
|
moving object has left, which it will take up, which it might assume if
it were to stop in its course. We have need of immobility, and the more we succeed in presenting to ourselves the movement as coinciding with the space which it traverses, the better we think we understand it. Really, there is no true immobility, if we imply by that, an absence of movement."[Footnote: Translated from La Perception du Changement, pp. 19-20.] This immobility of which we have need for the purposes of action and of practical life, we erect into an absolute reality. It is of course convenient to our sense of sight to lay hold of objects in this way; as pioneer of the sense of touch, it prepares our action on the external world. But, although for all practical purposes we require the notion of immobility as part of our mental equipment, it does not at all help us to grasp reality. Then we habitually regard movement as something superadded to the motionless. This is quite legitimate in the world of affairs; but when we bring this habit into the world of speculation, we misconceive reality, we create lightheartedly insoluble problems, and close our eyes to what is most alive in the real world. For us movement is one position, then another position, and so on indefinitely. It is true that we say there must be something else, viz., the actual passing across the interval which separates those positions. But such a conception of Change is quite false. All true change or movement is indivisible. We, by constructing fictitious states and trying to compose movement out of them, endeavour to make a process coincide with a thing--a movement with an immobility. This is the way to arrive at dilemmas, antinomies, and blind-alleys of thought. The puzzles of Zeno about "Achilles and the Tortoise" and "The Moving Arrow" are classical examples of the error involved in treating movement as divisible.[Footnote: Bergson in Matter and Memory examines Zeno's four puzzles: "The Dichotomy," "Achilles and the Tortoise," "The Arrow" and "The Stadium."] If movement is not everything, it is nothing, and if we |
|