of too frequently for young people not accustomed to the dramatic
form of writing. But this fault, if it be a fault, has been caused by an
earnest wish to give as much of Shakespeare's own words as possible:
and if the 'He said,' and 'She said,' the question and the reply, should
sometimes seem tedious to their young ears, they must pardon it,
because it was the only way in which could be given to them a few
hints and little foretastes of the great pleasure which awaits them in
their elder years, when they come to the rich treasures from which
these small and valueless coins are extracted; pretending to no other
merit than as faint and imperfect stamps of Shakespeare's matchless
image. Faint and imperfect images they must be called, because the
beauty of his language is too frequently destroyed by the necessity of
changing many of his excellent words into words far less expressive
of his true sense, to make it read something like prose; and even in
some few places, where his blank verse is given unaltered, as hoping
from its simple plainness to cheat the young reader into the belief that
they are reading prose, yet still his language being transplanted from
its own natural soil and wild poetic garden, it must want much of its
native beauty.

It has been wished to make these Tales easy reading for very young
children. To the utmost of their ability the writers have constantly
kept this in mind; but the subjects of most of them made this a very
difficult task. It was no easy matter to give the histories of men and
women in terms familiar to the apprehension of a very young mind.
For young ladies too, it has been the intention chiefly to write;
because boys being generally permitted the use of their fathers'
libraries at a much earlier age than girls are, they frequently have the
best scenes of Shakespeare by heart, before their sisters are permitted
to look into this manly book; and, therefore, instead of recommending