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The Fat and the Thin by Émile Zola
page 132 of 440 (30%)
too, that several people could sit comfortably at the square central
table, without in any way impeding the work that was going on. Lighted
by gas, the walls were coated with white and blue tiles to a height
of some five or six feet from the floor. On the left was a great iron
stove, in the three apertures of which were set three large round pots,
their bottoms black with soot. At the end was a small range, which,
fitted with an oven and a smoking-place, served for the broiling; and
up above, over the skimming-spoons, ladles, and long-handled forks, were
several numbered drawers, containing rasped bread, both fine and coarse,
toasted crumbs, spices, cloves, nutmegs, and pepper. On the right,
leaning heavily against the wall, was the chopping-block, a huge mass
of oak, slashed and scored all over. Attached to it were several
appliances, an injecting pump, a forcing-machine, and a mechanical
mincer, which, with their wheels and cranks, imparted to the place an
uncanny and mysterious aspect, suggesting some kitchen of the infernal
regions.

Then, all round the walls upon shelves, and even under the tables,
were iron pots, earthenware pans, dishes, pails, various kinds of tin
utensils, a perfect battery of deep copper saucepans, and swelling
funnels, racks of knives and choppers, rows of larding-pins and
needles--a perfect world of greasy things. In spite of the extreme
cleanliness, grease was paramount; it oozed forth from between the blue
and white tiles on the wall, glistened on the red tiles of the flooring,
gave a greyish glitter to the stove, and polished the edges of the
chopping-block with the transparent sheen of varnished oak. And, indeed,
amidst the ever-rising steam, the continuous evaporation from the three
big pots, in which pork was boiling and melting, there was not a single
nail from ceiling to floor from which grease did not exude.

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