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The Fat and the Thin by Émile Zola
page 166 of 440 (37%)
finger biscuits, were bright flasks of soft green and red and yellow
glass, suggesting strange mysterious liqueurs, or floral extracts of
exquisite limpidity. Standing on the glass shelf in the white glow of
the mirror, these flasks, flashing as if on fire, seemed to be suspended
in the air.

To give his premises the appearance of a cafe, Monsieur Lebigre had
placed two small tables of bronzed iron and four chairs against the
wall, in front of the counter. A chandelier with five lights and
frosted globes hung down from the ceiling. On the left was a round gilt
timepiece, above a _tourniquet_[*] fixed to the wall. Then at the far
end came the private "cabinet," a corner of the shop shut off by a
partition glazed with frosted glass of a small square pattern. In the
daytime this little room received a dim light from a window that looked
on to the Rue Pirouette; and in the evening, a gas jet burnt over the
two tables painted to resemble marble. It was there that Gavard and
his political friends met each evening after dinner. They looked upon
themselves as being quite at home there, and had prevailed on the
landlord to reserve the place for them. When Monsieur Lebigre had closed
the door of the glazed partition, they knew themselves to be so safely
screened from intrusion that they spoke quite unreservedly of the great
"sweep out" which they were fond of discussing. No unprivileged customer
would have dared to enter.

[*] This is a kind of dial turning on a pivot, and usually
enclosed in a brass frame, from which radiate a few small
handles or spokes. Round the face of the dial--usually of
paper--are various numerals, and between the face and its
glass covering is a small marble or wooden ball. The
appliance is used in lieu of dice or coins when two or more
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