The Fat and the Thin by Émile Zola
page 166 of 440 (37%)
page 166 of 440 (37%)
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finger biscuits, were bright flasks of soft green and red and yellow
glass, suggesting strange mysterious liqueurs, or floral extracts of exquisite limpidity. Standing on the glass shelf in the white glow of the mirror, these flasks, flashing as if on fire, seemed to be suspended in the air. To give his premises the appearance of a cafe, Monsieur Lebigre had placed two small tables of bronzed iron and four chairs against the wall, in front of the counter. A chandelier with five lights and frosted globes hung down from the ceiling. On the left was a round gilt timepiece, above a _tourniquet_[*] fixed to the wall. Then at the far end came the private "cabinet," a corner of the shop shut off by a partition glazed with frosted glass of a small square pattern. In the daytime this little room received a dim light from a window that looked on to the Rue Pirouette; and in the evening, a gas jet burnt over the two tables painted to resemble marble. It was there that Gavard and his political friends met each evening after dinner. They looked upon themselves as being quite at home there, and had prevailed on the landlord to reserve the place for them. When Monsieur Lebigre had closed the door of the glazed partition, they knew themselves to be so safely screened from intrusion that they spoke quite unreservedly of the great "sweep out" which they were fond of discussing. No unprivileged customer would have dared to enter. [*] This is a kind of dial turning on a pivot, and usually enclosed in a brass frame, from which radiate a few small handles or spokes. Round the face of the dial--usually of paper--are various numerals, and between the face and its glass covering is a small marble or wooden ball. The appliance is used in lieu of dice or coins when two or more |
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