with eyes in which love ruled distraction. Dorothy sat in one of the
window-seats, and listened to the music, which still came surging
in, for still the fool blew the bellows, and the blind youth struck
the keys. And still the clouds gathered overhead and sunk towards
the earth; and still the horse, which Dorothy had left spouting,
threw up his twin-fountain, whose musical plash in the basin as it
fell mingled with the sounds of the organ.

'What is it?' said Molly, waking up. 'My head doth not ache, and my
heart doth not beat, and I am not affrighted. What is it? I am not
tired. Marquis, are you no longer tired? Ah, now I know! He cometh!
He is here!--Marquis, the good Jesu wants Molly's hand. Let him have
it, marquis. He is lifting me up. I am quite well--quite--'

The sentence remained broken. The hand which the marquis had
yielded, with the awe of one in bodily presence of the Holy, and
which he saw raised as if in the grasp of one invisible, fell back
on the bed, and little Molly was quite well.

But she left sick hearts behind. The mother threw herself on the
bed, and wailed aloud. The marquis burst into tears, left the room,
and sought his study. Mechanically he took his Confessio Amantis,
and sat down, but never opened it; rose again and took his
Shakespere, opened it, but could not read; rose once more, took his
Vulgate, and read:

'Quid turbamini, et ploratis? puella non est mortua, sed dormit.'

He laid that book also down, fell on his knees, and prayed for her
who was not dead but sleeping.