high ridge running along the cranium, not unfrequently projects
far beyond the forehead. Taste and caprice produce endless
modifications. Sometimes the crest is double, disposed in
parallel ridges, with a deep hollow between; or it is treble,
when the two lines of parting running along the mastoids make it
remarkably like bears' ears, the central prism rises high, and
the side hair is plaited into little pig-tails. Others again
train four parallel lines from nape to forehead, forming two
cushions along the parietals. The crest is heightened by padding,
and the whole of the hair is devoted to magnifying it,--at a
distance, some of the bushwomen look as if they wore cocked hats.
When dreaded baldness appears, rosettes of false hair patch the
temples, and plaits of purchased wigs are interwoven to increase
the bulk: the last resources of all are wigs and toupets of
stained pine-apple fibre. The comb is unknown, its succedaneum
being a huge bodkin, like that which the Trasteverina has so
often used as a stiletto. This instrument of castigation is made
of ivory or metal, with a lozenge often neatly carved and
ornamented at the handle. The hair, always somewhat "kinky," is
anointed every morning with palm-oil, or the tallow-like produce
of a jungle-nut; and, in full dress, it is copiously powdered
with light red or bright yellow dust of pounded camwood, redwood,
and various barks.

The ears are adorned with broad rings of native make, and, near
the trading stations, with French imitation jewellery. The neck
supports many strings of beads, long and short, with the
indispensable talismans. The body dress is a Tobe or loin-cloth,
like that of the men; but under the "Namba," or outer wrapper,
which hangs down the feet, there is a "Siri," or petticoat,