confidence to speak without reserve; who heaps
one objection upon another, and obtrudes his remarks,
and enforces his corrections, without tenderness or awe.

The author, full of the importance of his work,
and anxious for the justification of every syllable,
starts and kindles at the slightest attack; the
critick, eager to establish his superiority, triumphing
in every discovery of failure, and zealous to
impress the cogency of his arguments, pursues him
from line to line without cessation or remorse. The
critick, who hazards little, proceeds with vehemence,
impetuosity, and fearlessness; the author, whose
quiet and fame, and life and immortality, are
involved in the controversy, tries every art of
subterfuge and defence; maintains modestly what he
resolves never to yield, and yields unwillingly what
cannot be maintained. The critick's purpose is to
conquer, the author only hopes to escape; the critick
therefore knits his brow, and raises his voice,
and rejoices whenever he perceives any tokens of
pain excited by the pressure of his assertions, or the
point of his sarcasms. The author, whose endeavour
is at once to mollify and elude his persecutor,
composes his features and softens his accent, breaks the
force of assault by retreat, and rather steps aside
than flies or advances.

As it very seldom happens that the rage of
extemporary criticism inflicts fatal or lasting wounds,