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The Art of the Exposition by Eugen Neuhaus
page 55 of 94 (58%)
decoration, his picture is most effective by its richness of color, and
without going into the question of its meaning, it is thoroughly
satisfactory as a decoration.

Childe Hassam's lunette, said to represent "Fruit and Flowers," is
almost anaemic alongside Mathews' fullness of expression. Nobody ever
suspected Childe Hassam of being a decorator, no matter how admittedly
important a place he holds in the field of easel painting. The
composition of his decorations is frugal in every sense, largely owing
to the small scale of his figures. In the physical center of the
composition nothing of interest happens, and the composition breaks
almost in two. The coloring is insipid, and altogether not in keeping,
in its extreme coldness, with the happy warmth of the travertine
surrounding it.

Directly opposite, Charles Holloway presents himself in a very happy
painting called "The Pursuit of Pleasure." A study of this picture can
result in nothing but complete satisfaction. It is well and
interestingly composed, lively in arrangement, in good scale, and not
lacking in a certain feeling of repose, so essential in a good
decoration, and, for that matter, in any work of art.

In the great arch of the Tower of Jewels the most elaborate decorations
of Mr. William de Leftwich Dodge, of New York, command attention first
of all by their fine and lively colors. These decorations show a most
experienced artist, treating a wide variety of interrelated subjects
with great skill. These enormous canvases, sixteen by ninety-six feet in
size, are divided into a triptych, each picture continuing its central
scheme into two smaller side panels.

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