One in fifty of those who attend our operas likes
it already, perhaps, but I think a good many of the other
forty-nine go in order to learn to like it, and the
rest in order to be able to talk knowingly about it.
The latter usually hum the airs while they are being sung,
so that their neighbors may perceive that they have been
to operas before. The funerals of these do not occur
often enough.

A gentle, old-maidish person and a sweet young girl
of seventeen sat right in front of us that night at the
Mannheim opera. These people talked, between the acts,
and I understood them, though I understood nothing
that was uttered on the distant stage. At first they
were guarded in their talk, but after they had heard
my agent and me conversing in English they dropped their
reserve and I picked up many of their little confidences;
no, I mean many of HER little confidences--meaning
the elder party--for the young girl only listened,
and gave assenting nods, but never said a word. How pretty
she was, and how sweet she was! I wished she would speak.
But evidently she was absorbed in her own thoughts,
her own young-girl dreams, and found a dearer pleasure
in silence. But she was not dreaming sleepy dreams--no,
she was awake, alive, alert, she could not sit still
a moment. She was an enchanting study. Her gown was
of a soft white silky stuff that clung to her round
young figure like a fish's skin, and it was rippled
over with the gracefulest little fringy films of lace;
she had deep, tender eyes, with long, curved lashes;