of a piece of rare crockery are able to throw me into
a gibbering ecstasy; and I could forsake a drowning
relative to help dispute about whether the stopple
of a departed Buon Retiro scent-bottle was genuine or spurious.

Many people say that for a male person, bric-a-brac hunting
is about as robust a business as making doll-clothes,
or decorating Japanese pots with decalcomanie butterflies
would be, and these people fling mud at the elegant Englishman,
Byng, who wrote a book called THE BRIC-A-BRAC HUNTER,
and make fun of him for chasing around after what they choose
to call "his despicable trifles"; and for "gushing" over
these trifles; and for exhibiting his "deep infantile delight"
in what they call his "tuppenny collection of beggarly
trivialities"; and for beginning his book with a picture
of himself seated, in a "sappy, self-complacent attitude,
in the midst of his poor little ridiculous bric-a-brac junk
shop."

It is easy to say these things; it is easy to revile us,
easy to despise us; therefore, let these people rail on;
they cannot feel as Byng and I feel--it is their loss,
not ours. For my part I am content to be a brick-a-bracker
and a ceramiker--more, I am proud to be so named.
I am proud to know that I lose my reason as immediately
in the presence of a rare jug with an illustrious mark
on the bottom of it, as if I had just emptied that jug.
Very well; I packed and stored a part of my collection,
and the rest of it I placed in the care of the Grand Ducal
Museum in Mannheim, by permission. My Old Blue China