at every turn by the Italians. I took an evening walk
in Turin, and presently came across a little Punch and Judy
show in one of the great squares. Twelve or fifteen
people constituted the audience. This miniature theater
was not much bigger than a man's coffin stood on end;
the upper part was open and displayed a tinseled
parlor--a good-sized handkerchief would have answered
for a drop-curtain; the footlights consisted of a couple
of candle-ends an inch long; various manikins the size
of dolls appeared on the stage and made long speeches at
each other, gesticulating a good deal, and they generally
had a fight before they got through. They were worked
by strings from above, and the illusion was not perfect,
for one saw not only the strings but the brawny hand
that manipulated them--and the actors and actresses all
talked in the same voice, too. The audience stood in front
of the theater, and seemed to enjoy the performance heartily.

When the play was done, a youth in his shirt-sleeves started
around with a small copper saucer to make a collection.
I did not know how much to put in, but thought I would
be guided by my predecessors. Unluckily, I only had two
of these, and they did not help me much because they
did not put in anything. I had no Italian money,
so I put in a small Swiss coin worth about ten cents.
The youth finished his collection trip and emptied
the result on the stage; he had some very animated talk
with the concealed manager, then he came working his
way through the little crowd--seeking me, I thought.
I had a mind to slip away, but concluded I wouldn't;