Aria da Capo by Edna St. Vincent Millay
page 38 of 39 (97%)
page 38 of 39 (97%)
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time he realizes that this man who is about to kill with poisoned
water his most beloved friend, is none other than Thyrsis _himself_,--"'Tis I!" The personalities of Thyrsis and Corydon are not essentially different. They develop somewhat differently, because of the differing circumstances. When Columbine goes out for the first time she takes with her her artichoke and her wine-glass, also a couple of macaroons, which she nibbles, going out. This helps to get the table cleared. The other articles are removed by the shepherds when they prepare the stage for their scene, in this manner: at the cue "Sir, we are always ready. . . . Play the play!", Corydon and Thyrsis come down stage, Corydon to Pierrot's end of the table, Thyrsis to Columbia's; simultaneously, first, they set back the chairs against the wall, Pierrot's left front, Columbine's right front; next they remove the two big bowls and set them in symmetrical positions on the floor, left front and right front, in such a way that the bowl of confetti may be the mine of jewels for Corydon, and the bowl of fruits, the punch-bowl, may represent the pool of water for Thyrsis; then, taking the table by the two ends, they set it back against the wall, right; next, while Corydon places the two pillows from the left wall on the floor to represent rocks in their pasture, Thyrsis removes from the table everything that is left on it except the tablecloth,--this should be only Pierrot's wine-goblet and the flower in its pot. (The flower is to represent later the poisonous weed which Thyrsis finds, the wine-goblet a drinking-cup beside the pool, the flower-pot a bowl in which to mix the poison and bring it to Corydon.) The two shepherds do this setting of their stage swiftly and silently, then seat themselves at once, in easy but beautiful postures, and remain for a moment looking off as if at their sheep |
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