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Aria da Capo by Edna St. Vincent Millay
page 38 of 39 (97%)
time he realizes that this man who is about to kill with poisoned
water his most beloved friend, is none other than Thyrsis
_himself_,--"'Tis I!" The personalities of Thyrsis and Corydon are
not essentially different. They develop somewhat differently,
because of the differing circumstances.

When Columbine goes out for the first time she takes with her her
artichoke and her wine-glass, also a couple of macaroons, which she
nibbles, going out. This helps to get the table cleared. The other
articles are removed by the shepherds when they prepare the stage
for their scene, in this manner: at the cue "Sir, we are always
ready. . . . Play the play!", Corydon and Thyrsis come down stage,
Corydon to Pierrot's end of the table, Thyrsis to Columbia's;
simultaneously, first, they set back the chairs against the wall,
Pierrot's left front, Columbine's right front; next they remove the
two big bowls and set them in symmetrical positions on the floor,
left front and right front, in such a way that the bowl of confetti
may be the mine of jewels for Corydon, and the bowl of fruits, the
punch-bowl, may represent the pool of water for Thyrsis; then,
taking the table by the two ends, they set it back against the wall,
right; next, while Corydon places the two pillows from the left wall
on the floor to represent rocks in their pasture, Thyrsis removes
from the table everything that is left on it except the
tablecloth,--this should be only Pierrot's wine-goblet and the flower
in its pot. (The flower is to represent later the poisonous weed
which Thyrsis finds, the wine-goblet a drinking-cup beside the pool,
the flower-pot a bowl in which to mix the poison and bring it to
Corydon.) The two shepherds do this setting of their stage swiftly
and silently, then seat themselves at once, in easy but beautiful
postures, and remain for a moment looking off as if at their sheep
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