this I suppose is your friend?"

"I beg your pardon," Philip at length blundered out, "this is Mr. Brierly
of whom I have written you."

And Ruth welcomed Harry with a friendliness that Philip thought was due
to his friend, to be sure, but which seemed to him too level with her
reception of himself, but which Harry received as his due from the other
sex.

Questions were asked about the journey and about the West, and the
conversation became a general one, until Philip at length found himself
talking with the Squire in relation to land and railroads and things he
couldn't keep his mind on especially as he heard Ruth and Harry in an
animated discourse, and caught the words "New York," and "opera," and
"reception," and knew that Harry was giving his imagination full range in
the world of fashion.

Harry knew all about the opera, green room and all (at least he said so)
and knew a good many of the operas and could make very entertaining
stories of their plots, telling how the soprano came in here, and the
basso here, humming the beginning of their airs--tum-ti-tum-ti-ti
--suggesting the profound dissatisfaction of the basso recitative--down
--among--the--dead--men--and touching off the whole with an airy grace
quite captivating; though he couldn't have sung a single air through to
save himself, and he hadn't an ear to know whether it was sung correctly.
All the same he doted on the opera, and kept a box there, into which he
lounged occasionally to hear a favorite scene and meet his society
friends.