Cashel Byron's Profession by George Bernard Shaw
page 110 of 324 (33%)
page 110 of 324 (33%)
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"Some of them do," said Lydia; "but they are not the artists of our generation; and those who take up their cry are no better than parrots. If every holiday recollection of my youth, every escape from town to country, be associated with the railway, I must feel towards it otherwise than did my father, upon whose middle age it came as a monstrous iron innovation. The locomotive is one of the wonders of modern childhood. Children crowd upon a bridge to see the train pass beneath. Little boys strut along the streets puffing and whistling in imitation of the engine. All that romance, silly as it looks, becomes sacred in afterlife. Besides, when it is not underground in a foul London tunnel, a train is a beautiful thing. Its pure, white fleece of steam harmonizes with every variety of landscape. And its sound! Have you ever stood on a sea-coast skirted by a railway, and listened as the train came into hearing in the far distance? At first it can hardly be distinguished from the noise of the sea; then you recognize it by its vibration; one moment smothered in a deep cutting, and the next sent echoing from some hillside. Sometimes it runs smoothly for many minutes, and then breaks suddenly into a rhythmic clatter, always changing in distance and intensity. When it comes near, you should get into a tunnel, and stand there while it passes. I did that once, and it was like the last page of an overture by Beethoven--thunderingly impetuous. I cannot conceive how any person can hope to disparage a train by comparing it with a stage-coach; and I know something of stage-coaches--or, at least, of diligences. Their effect on the men employed about them ought to decide the superiority of steam without further argument. I have never observed an engine-driver who did not seem an exceptionally intelligent mechanic, while the very writers and artists who have preserved the memory of the coaching days for |
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