Ludovico had his palace at one end of the town of Milan; at the other
was that of the Countess of Pernetti. At midnight, on a certain
occasion, Ludovico resolved, at the peril of his life, to make a rash
expedition for the sake of gazing for one second on the face he
adored, and accordingly appeared as if by magic in the palace of his
well-beloved. He reached the nuptial chamber. Elisa Pernetti, whose
heart most probably shared the desire of her lover, heard the sound of
his footsteps and divined his intention. She saw through the walls of
her chamber a countenance glowing with love. She rose from her
marriage bed, light as a shadow she glided to the threshold of her
door, with a look she embraced him, she seized his hand, she made a
sign to him, she drew him in.

"But he will kill you!" said he.

"Perhaps so."

But all this amounts to nothing. Let us grant that most husbands sleep
lightly. Let us grant that they sleep without snoring, and that they
always discern the degree of latitude at which their wives are to be
found. Moreover, all the reasons which we have given why twin beds
should be condemned, let us consider but dust in the balance. But,
after all, a final consideration would make us also proscribe the use
of beds ranged within the limits of the same alcove.

To a man placed in the position of a husband, there are circumstances
which have led us to consider the nuptial couch as an actual means of
defence. For it is only in bed that a man can tell whether his wife's
love is increasing or decreasing. It is the conjugal barometer. Now to