faith in it had Francisco Robles of Madrid, to whom at last he sold it,
that he did not care to incur the expense of securing the copyright for
Aragon or Portugal, contenting himself with that for Castile. The
printing was finished in December, and the book came out with the new
year, 1605. It is often said that "Don Quixote" was at first received
coldly. The facts show just the contrary. No sooner was it in the hands
of the public than preparations were made to issue pirated editions at
Lisbon and Valencia, and to bring out a second edition with the
additional copyrights for Aragon and Portugal, which he secured in
February.

No doubt it was received with something more than coldness by certain
sections of the community. Men of wit, taste, and discrimination among
the aristocracy gave it a hearty welcome, but the aristocracy in general
were not likely to relish a book that turned their favourite reading into
ridicule and laughed at so many of their favourite ideas. The dramatists
who gathered round Lope as their leader regarded Cervantes as their
common enemy, and it is plain that he was equally obnoxious to the other
clique, the culto poets who had Gongora for their chief. Navarrete, who
knew nothing of the letter above mentioned, tries hard to show that the
relations between Cervantes and Lope were of a very friendly sort, as
indeed they were until "Don Quixote" was written. Cervantes, indeed, to
the last generously and manfully declared his admiration of Lope's
powers, his unfailing invention, and his marvellous fertility; but in the
preface of the First Part of "Don Quixote" and in the verses of "Urganda
the Unknown," and one or two other places, there are, if we read between
the lines, sly hits at Lope's vanities and affectations that argue no
personal good-will; and Lope openly sneers at "Don Quixote" and
Cervantes, and fourteen years after his death gives him only a few lines
of cold commonplace in the "Laurel de Apolo," that seem all the colder