The History of Don Quixote, Volume 1, Part 13 by Miguel de Cervantes Saavedra
page 26 of 108 (24%)
page 26 of 108 (24%)
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on the wind, my promises have been despised, my presents have been
refused, such feigned tears as I shed have been turned into open ridicule. In short, as Camilla is the essence of all beauty, so is she the treasure-house where purity dwells, and gentleness and modesty abide with all the virtues that can confer praise, honour, and happiness upon a woman. Take back thy money, my friend; here it is, and I have had no need to touch it, for the chastity of Camilla yields not to things so base as gifts or promises. Be content, Anselmo, and refrain from making further proof; and as thou hast passed dryshod through the sea of those doubts and suspicions that are and may be entertained of women, seek not to plunge again into the deep ocean of new embarrassments, or with another pilot make trial of the goodness and strength of the bark that Heaven has granted thee for thy passage across the sea of this world; but reckon thyself now safe in port, moor thyself with the anchor of sound reflection, and rest in peace until thou art called upon to pay that debt which no nobility on earth can escape paying." Anselmo was completely satisfied by the words of Lothario, and believed them as fully as if they had been spoken by an oracle; nevertheless he begged of him not to relinquish the undertaking, were it but for the sake of curiosity and amusement; though thenceforward he need not make use of the same earnest endeavours as before; all he wished him to do was to write some verses to her, praising her under the name of Chloris, for he himself would give her to understand that he was in love with a lady to whom he had given that name to enable him to sing her praises with the decorum due to her modesty; and if Lothario were unwilling to take the trouble of writing the verses he would compose them himself. "That will not be necessary," said Lothario, "for the muses are not such enemies of mine but that they visit me now and then in the course of the |
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