enough that the replies this head has given suit the questions put to
it?"

"Yes, it is enough," said Sancho; "but I should have liked it to have
made itself plainer and told me more."

The questions and answers came to an end here, but not the wonder with
which all were filled, except Don Antonio's two friends who were in the
secret. This Cide Hamete Benengeli thought fit to reveal at once, not to
keep the world in suspense, fancying that the head had some strange
magical mystery in it. He says, therefore, that on the model of another
head, the work of an image maker, which he had seen at Madrid, Don
Antonio made this one at home for his own amusement and to astonish
ignorant people; and its mechanism was as follows. The table was of wood
painted and varnished to imitate jasper, and the pedestal on which it
stood was of the same material, with four eagles' claws projecting from
it to support the weight more steadily. The head, which resembled a bust
or figure of a Roman emperor, and was coloured like bronze, was hollow
throughout, as was the table, into which it was fitted so exactly that no
trace of the joining was visible. The pedestal of the table was also
hollow and communicated with the throat and neck of the head, and the
whole was in communication with another room underneath the chamber in
which the head stood. Through the entire cavity in the pedestal, table,
throat and neck of the bust or figure, there passed a tube of tin
carefully adjusted and concealed from sight. In the room below
corresponding to the one above was placed the person who was to answer,
with his mouth to the tube, and the voice, as in an ear-trumpet, passed
from above downwards, and from below upwards, the words coming clearly
and distinctly; it was impossible, thus, to detect the trick. A nephew of
Don Antonio's, a smart sharp-witted student, was the answerer, and as he